Sunday, February 17, 2008

You Don't Tell the Bees - the Bees Tell You.


Apart from the flu and dark dealings with the Insurance Industry over my beleagured 91 Honda Accord Wagon, I've been keeping busy with a number of unusual projects. One of these is the class in 'patacritical Interrogation Techniques I'm teaching for the Critical Studies Department at Cal Arts. 'Patacriticism, for those who don't know, is to criticism as 'pataphysics is to physics. This seems to be working out to be around the place where paranoid conspiracy theory and experimental poetry trade identities - near to J.G. Ballard's 'The Assassination of John Fitzgerald Kennedy Considered As A Downhill Motor Race' but back and to the left, and with lots more words. And moving pictures. And we're not just talking Zapruder here.


I remember hearing about 'Wax, or The Discovery of Television Among the Bees' - the first straight-to-internet streaming feature - when it was first released, but didn't have access to the webosphere at the time. But I tracked down a rare VHS copy for the P.I.T. class, and during my research found out that it's still available for viewing online 15 years later!


It's embedded in a complex tangle of hypertextual elaborations, but I suggest working "straight" through the narrative first - the layers of science, myth, fantasy, humor, and paranormal and patacritical implications that make up this ultra low-budget treasure are more than enough to chew on. It's like Matthew Barney with 1000 times more words and 1000 times less money. I'm a Barney Booster, but this works just as good for me.



Briefly, 'Wax' is the story of a weapons guidance system software designer in Alamogordo, NM whose hobby is beekeeping. But once the bees drill a hole in his head and install bee television, watch out! Consensus reality reconfigures into a prismatic hive mind that collapses time and erases the boundaries between individual personalities and autonomous dimensions, culminating - I kid you not - with a sacrificial military strike in Iraq.

Monday, January 28, 2008

SPPR: 'Some Paintings' Press Roundup

Friday saw a flurry of journalistic activity concerning 'Some Paintings: The Third (2007) Annual LA Weekly Biennial' with Christopher Knight's lead review in the Los Angeles Times leading the pack. (The print version had a better headline owing to an apparent Larry Cohen reference - "It's Alive! With wit, diversity")

'Interiority' by Brian Cooper

Simultaneously, Emma Gray's L.A. CONFIDENTIAL column for Artnet's online magazine provided an ethusiastic overview of the show and opening.

'Smear Campaign' by Victoria Reynolds

Earlier in the month, Emma also named the 'SP' the #1 show in LA in her column on the Saatchi website

'Wellness' by Brad Spence

I was surprised and impressed at the unconventional choice of pieces singled out by Chris and Emma. For example, they both gave props to Esther Pearl Watson's faux-outsider UFO-scape.


Another early entry came from artblogging LA/sixspace multitasker Caryn Coleman in her debut online column for ArtReview's new online edition.
'Tekel Upharsin (He weighed, now they divide)' by Gustavo Herrera

Monday, January 21, 2008

Illin


Wow. That was some opening. 3000+?! I've been deathly ill with that new long-duration flu that's going around - it'll have lasted a full week as of tonight. Had to miss my first Patacritical Interrogation Techniques seminar and everything. There was a pretty good LA Weekly online slideshow of the event as well as a photo spread and write-up in the current print issue, but I can't seem to find it on the site. In the meantime, check out John Geary's photo album, from which the above shot of the inimitable Michael Q. Schmidt is excerpted. My thanks again to everyone who made it happen, especially the bands and performers! If you haven't seen the show, make sure you do - it's only up for a little over a month.

Monday, January 14, 2008

Accordian, Aerial, Africa, Aircraft, Airstream, Alain Delon, etc...


In my capacity as Secretary of the CCCP-SCC, and in conjunction with the artist's imminent speaking engagement through UCLA at the Hammer Museum, I would like to direct your attention to a remarkable work of Mongo Video by Canadian photographer Roy Arden, consisting of 28,144 images gleaned from the interweb and arranged in alphabetical order to a jaunty organ loop, like a DIY Koyaanisqatsi directed by Bernd and Hilla Becher. It's called The World as Will and Representation - Archive 2007 and is located on Arden's website.

Friday, January 11, 2008

What I did on my Winter Vacation


“SOME PAINTINGS”
THE THIRD (2007) LA WEEKLY ANNUAL BIENNIAL
CURATED BY DOUG HARVEY
JANUARY 12–FEBRUARY 16, 2008

Opening reception on Saturday, January 12 from 7 P.M. to 11 P.M. with refreshments and performances by The Spirit Girls, Wounded Lion, John Kilduff of Let’s Paint TV, and others.
Here's who's in it and why.*

TRACK 16 GALLERY & SMART ART PRESS
2525 MICHIGAN AVE. BLDG. C1
SANTA MONICA, CALIFORNIA 90404
P 310.264.4678 F 310.264.4682
reception@track16.com
www.track16.com

*except Wendell Gladstone, whose hot-off-the-easel 'Drawn Out' is reproduced above. His missing profile reads as follows:

Wendell Gladstone’s seething, super-saturated neo-mythological allegories have oscillated between sculpture and painting in a way that opens new paths in both media while shedding light on their disparity in tolerance levels for fantastic, opulently decorative experimental storytelling.

Monday, January 7, 2008

Yo, Citizens of New Hampshire!


This is the one Bonzo Dog song I could never find, but just did and it is very timely. It's a reunion single called "No Matter Who You Vote For, The Government Always Gets In (Heigh Ho)" recorded for the 1987 British General Election but unreleased until 1992.

Sunday, January 6, 2008

Pump It Up


If, like myself, you were disappointed by the "mysterious" interruption of the live broadcast feed from TimeWarner cable during Saturday's episode of "Let's Paint TV," you will be glad to know that the unadulterated, un-cut-off version of the show is now up on Youtube in three parts:

Let's Paint the Tinman & Perform Open Heart Surgery Part 1
Let's Paint the Tinman & Perform Open Heart Surgery Part 2
Let's Paint the Tinman & Perform Open Heart Surgery Part 3

I think we may have witnessed the pinnacle of Western Civilization here, people.

But just in case, swing by the opening of the Third Annual (2007) LA Weekly Biennial: Some Paintings next Saturday, January 12th, from 7 - 11, during which Mr. Kilduff will perform a live painting demonstration.

Wednesday, January 2, 2008

Healing Green Energy


A riotous crowd of 16 turned out for the Shishimai Lion Dance & Taiko performance at the Mitsuwa grocery store in downtown LA's Little Tokyo district, including the crazy homeless man at bottom right, whose agitated outbursts ceased briefly under the magical spell of the benevolent harvest spirit.

Friday, December 28, 2007

Mick Wakes Up


O Lucky Man (Warner Home Video)
Speaking of Candide... The middle installment of Lindsay Anderson's Mick Travis (Malcolm McDowell) trilogy is a sprawling Bildungsroman for the blown minds and crushed blossoms of 1973, featuring a great, brilliantly integrated soundtrack by Alan Price and a remarkable balance of dreamlike mythic recursivity and incisive (and sadly still relevant) political satire. Sometimes self-indulgence is just the ticket. Finally out on bargain-priced double DVD!

Accidentally left off the published version of my list of the 'Best Cultural Artifacts of 2007 that I Can Remember' - it goes right after the entry on the Jimbo doll.

Tuesday, December 25, 2007

Seasoning Unto You


"You may order your pastels from Alaska,
Imported, as the Igloo, in review"
- Evelyn Christmas (songpoem, Vol 2 track 4)

Download Outsider XMAS Vol 1
Download Outsider XMAS Vol 2

Tracklists in Comments

Sunday, December 23, 2007

A Washington Post Two



While I'm linking to youtube, I've been meaning to follow up my post regarding my cinematic foray to Long Beach last April by linking to the completed short film Mimesis. I wish they'd used the part where George is doing the frug, but you can't talk to these people. I also noticed that the enhance your calm link was leading to the wrong material, so I fixed it. Next project Dr. Shantibugs? George W and John Spartan have much in common!

Saturday, December 22, 2007

Let's Paint Mannlicher Carcano's Portrait


Mannlicher Carcano's appearance on John Kilduff's public access instructional painting program 'Let's Paint TV' on Youtube. The band in this incarnation includes (L to R) Christ's Cumming II, Herr Schurdt, Really Happening, & Gogo Godot.

I hate how these embedded videos slow down the page loading, so I'll just provide a screen shot and links, OK?

Part 1
Part 2
Part 3

Can't Get There from Here


"What is the point of making art? I worked at a Montessori daycare one summer, and there was this one kid who — when other entertainments weren’t forthcoming — would endlessly recite a schizophrenic Zen vaudeville routine of his own precocious concoction, to wit: “Why did the chicken cross the road? I don’t know Ha ha ha ha ha ha ha! Why did the chicken cross the road? I don’t know Ha ha...” The Art World has yet to arrive at this level of sublime denial, but it’s mostly due to the enormous quantity of multiple personalities duking it out — or more often avoiding the issue. In a fashion culture driven by planned obsolescence and amnesia, there’s no place for consensus — except maybe the one that suggests nobody push the question too far, at the risk of queering a good thing for everybody. It’s sort of a microcosm thing."


Continued, eventually getting around to Linda Stark's Potion Paintings, here.

Wednesday, December 12, 2007

Shortage of Fats Imperils Nation at War! Do Your Bit!


If the lure of XMAS salvage (now including guest sub-curator Jodi Wille of Process Media presenting previously unscreened video of local glam evangelist Miss Velma and the SOURCE Family’s Hawaiian Christmas special!!!) is not enough to get you to Echo Park this Saturday night, consider the synergistic possibilities of this:

Fry-B-Q 3, Wrath of Fry-B-Q
Saturday Dec 15, 7:00pm-10:00pm
Free Admission/$5 all you can fry

Machine Project
1200 D North Alvarado
Los Angeles, CA, 90026
213-483-8761

Here’s what you do…

1) Arrive between 7 - 10 pm Saturday Dec 15th.

2) Bring something edible to fry. Machine's trained fryolater technicians will be standing by, eager to batter and fatify your soon to be delicious snacks. Machine's extensive testing suggests that almost any item will bring great fried satisfaction - potatoes, fish, vegetables, onions, twinkies, etc. Just in case Machine bought extra fire extinguishers.

3) Bring checks small and large and become a friend of Machine Project. Your donation helps Machine keep doing what Machine does, and is fully tax deductible. Details on Machine's support page

The secret bar (accessible through a stabilized rift in the time/space continuum) will be open.

Wednesday, December 5, 2007

Southland Skintasia

I'm a little late promoting this year's 'Skin' themed Pasadena Art & Ideas Festival, but many of the related shows are still up, and you can still get the catalog containing the rest of this essay.


From it’s origins in Otzi the Iceman’s elegant geometric inkage and the Paleolithic inverse spray-paint hand-prints of Chauvet Cave (not to mention the Venus of Willendorf - if only for square footage! Va-va-Voom!) art has been inextricably intermingled with the 5 layers of the upper integument. Underlying this seemingly fundamental use of epidermis as canvas is a radical semiotic event: skin inversely branded onto symbol, what “thought-stylist” R. Gros-Tumore has referred to as “OOTAT culture.” “The decision to deliberately mark the body,” claims Gros-Tumore “is the very Genesis-spot of Art, the point where abstraction of and alienation from the totally physiomatic Self is first materially recorded, to the best of our knowledge. It is, in fact, the opposite of branding; it is the ground zero of individuation.”

Whether or not the very origins of artmaking are to be found in this prehistoric moment of self-objectification, skin -- as a subject, metaphor, and even medium – has undeniably been a major recurring theme throughout art history. Along with three-point linear perspective and anatomical verisimilitude, the convincing depiction of skin was (and remains) one of the holy grails of pictorial illusionism, the dominant criterion of significant and successful art until the Modern era. Nor would this be a concern were it not for the peculiar exception granted the Fine Arts from various codes of prudery over the centuries, resulting both in countless Renaissance Classicist and Neoclassical depictions of nude Greek goddesses and equally abundant early 20th century mail-order pulp booklets of “Nude artist’s model” photography.

Saturday, December 1, 2007

Solutions to You

More posts soon I swear to god. In the meantime, take comfort in the inspirational thought-stylings of Dethklok leader Nathan Explosion:



Update: First my nephews never get their talking Towelly dolls and now this? Screw you Cartoon Network! So 20th century. Here's a transcription:

Nathan: [reading the scripted commencement speech] Harvard... solutions... solutions to you...
Ofdensen: [whispers] Salutations!
Nathan: [tossing the speech aside] I don't need this stupid speech! (looking out at the graduates) You think you're smart huh? Think you can come up here and take a piece of this? Huh? Any of you? You? You? Listen, Harvard. I'm a billionaire. And most of you are gonna graduate and move back in with your parents! I'm gonna tell you somethin', though. We have something in common: we're all gonna die. No matter whatcha' do. No matter whatcha' do with your lives, you're dead! You're dead! You're dying. You're gonna die. All of you. Dead. You, dead. You, dead. All of you. You, lady? Your tits will be eaten by maggots. In just a few short years. So here's my message. My message to you. A very simple message: Go forth. Go forth, and DIIIIIE!

OK, here's the official site's version. You should just never buy anything by the company whose ad you have to sit through to get to the actual video. UPDATE 2020: OK now you don't have to watch the ad. Does Cartoon Network even still exist?

Thursday, November 22, 2007

Thrift Store Movies XMAS


Just a heads up on one upcoming curatorial project:

The Coalition for Cinematic Conservation and Preservation – Southern California Chapter and the Echo Park Film Center are proud to present
A Thrift Store Movie Xmas
Inoculate yourself for the holiday season with a burst of vernacular surrealism from the CCCP-SCC. Drawing from found films, thrift store discoveries, ephemeral oddities, and oddball cult classics, the CCCP-SCC has assembled a spectacular mosaic of cartoons, television specials, musical numbers, and feature film excerpts that explore the weird side of Yuletide. Highlights include “Santa Claus” a dubbed Mexican kiddie film from 1960 in which Santa battles the Devil, the infamous “lost” Star Wars Holiday special, local glam evangelist Miss Velma, cable access musical performances, and Christmas adventures from Benji, the Mirthworms, HeMan & SheRa, and Garfield, and much more. As always, special refreshments and amazing door prizes will abound. Join the festivities!

Saturday December 15th at 8 PM at the Echo Park Film Center
1200 N. Alvarado Street (@ Sunset Blvd)
Los Angeles, CA 90026

Wednesday, November 21, 2007

Somehow It All Makes Sense


I have a lot of catching up to do here, and stuff to promote. Recent writing, Thrift Store Movies Xmas, the upcoming 3rd LA Weekly Annual Biennial. I should start with my review of Lari Pittman's recent show at Regen Projects Dos.

The first time I saw the work of Lari Pittman was at the multiple-careers-making “Helter Skelter” show at MOCA in 1992, and I didn’t care for it. This was the era of his menacing sexualized owls, meticulously built-up psychedelic reliefs of dripping white candles, and circus-font repetitions of the number 69. In spite of their obvious craftsmanship and manifest fluency with a wide swath of the history of visual culture, the paintings’ sense of contained (if provocative) energies — not to mention the unironic deployment of such a conventional medium as acrylic and enamel on rectangular mahogany panels — made them seem out of step with such eruptive gestures as Paul McCarthy’s tree-fucking robot and Nancy Rubins’ roof-high mushroom-cloud tangle of trailers and hot-water heaters. Pittman’s work seemed a quirky vestige of the previous decade’s Reaganomic love affair with “New Image” painting, not the shape of things to come. Continued Here.

Tuesday, November 6, 2007

Dogstar Dogstar (Laikalaikalaika)



In a full-page full-color story the Sunday New York Times outed my spouse M.A. Peers as the artist responsible for the space dog paintings at the Museum of Jurassic Technology. You can access the story online here or check the comments. M.A.'s first show of new work in a few years is scheduled for May at the Rosamund Felsen Gallery. Top photo by Tull, bottom by Bastian.

Sunday, November 4, 2007

Bike Pathologies Tonight


In a CCCP-SCC peripheral curation, treasurer Erik Knutzen has put together a stellar program of vintage educational films for tonight!

Head on down to the Echo Park Film Center on Sunday November 4th for an evening of vintage bicycle safety films from the 50s, 60s and 70s in this special benefit screening for the Los Angeles County Bicycle Coalition. Watch as little Jane and Johnny take to the streets for the first time to learn the rules of the road. But bring your motoring friends as well, since we’ll also serve up a selection of classic driver’s safety films. We’ll round out the evening with a few bicycle related shorts and oddities from the world of educational films.

The Los Angeles County Bicycle Coalition (LACBC) is a membership based advocacy organization working to improve the bicycling environment and quality of life in Los Angeles County through advocacy and education. The LACBC envisions a Los Angeles County that is a great place for everyday, year-round cycling with bicycles accepted as an integral part of our transportation system, culture, and communities.

Admission is $10 with all proceeds going to support the LACBC.

Sunday November 4th
Two screenings: 7:30 pm and 9:30 pm
The Echo Park Film Center is located at 1200 North Alvarado Street @ Sunset Blvd.

Saturday, October 20, 2007

Licorice Allsorts... of the Mind!



"The elegant Portal paintings seem to offer a bittersweet passage to a less cluttered realm. Details are sketchy – the bullseye of the spiral’s center is an unknowable threshold of zero dimensions, but it’s clear that all baggage has to be discarded on this side of the equation. What a surprise to find all your familiar acquaintances waiting for you on the other side! Ay, there’s the rub. The deliverance offered in bridging the event horizon of a black hole is as likely to be the inescapable psychodrama of Solaris as it is to be the high amniotic indifference of 2001. Or perhaps it’s a Cabaret, old chum.

Mark Dutcher’s 2007 suite of Black Paintings seem to offer a speculative simulation of this very Far Side of our sensual and phenomenological constraints. Suddenly we confront De Selby’s ultimate accumulation of “black air,” a torrent of matériel noir that inverts our figure/ground understanding in an equally binary optical value reversal. In a variety of tableaux that recall freeze-frames of various vintage Big Reveals – particularly the withdrawal of curtains to expose the theatrical stage or cinematic screen – Dutcher delivers a best guess at second sight. Will there be a new way of seeing in the Kingdom of Heaven? Or is this it? Through a glass darkly, or infinity in a grain of sand? Or the contents of a gumball machine dumped in a cauldron of squid ink at full boil?"

from my catalog essay "Sugar in the Dark: Mark Dutcher’s Black Paintings"
published in conjunction with "Curtains", his exhibit at

High Energy Constructs
990 N. Hill Street, Suite 180
Los Angeles, CA 90012
Opening tonight, October 20 2007 from 6 - 9
On view through December 01 2007

Mark also has a spectacular survey show running concurrently at the Huntington Beach Art Center

Mark Dutcher's Shelf Life
538 Main St.
Huntington Beach Art Center
Huntington Beach, CA 92648
On view through December 16 2007

Above 'Cinema'
Below 'A Year in the Theater'

Wednesday, October 17, 2007

Let's Paint Fireworks for Spoiled Children


Art Garage Rock band Fireworks will be doing their thing with John Kilduff of cable access' Let's Paint TV fame at 8 PM on Thursday Oct 18th at the USC Grad Art Gallery at 3001 South Flower Street, LA, 90007 - just off the 110 freeway.

Monday, October 15, 2007

Oh Canaday!



"A case in point is his recent body of Noir hot rod paintings, a sort-of darkly macho Thanatos corollary to his longer-running pageant of full-frontal suburban Willendorfian Veneres (which themselves allude to often-Eros-tinted 70s airbrush figuration à la Alan Aldridge and Peter Saul). Employing the same backdrop of abstracted industrial domination -- Canaday hails from Detroit, site of some of the bleakest post-globalization urban landscapes in America -- as found in earlier studies of the female figure in the landscape such as Fudge Rammers in Their Pajamers (2005), the similarities end there – Canaday’s car paintings are utterly devoid of overt sexual content.


Instead, these remarkable works propose an equivalency between Ad Reinhart and “Big Daddy” Roth – between the chromatically minimal tail end of the existentialism-tinged Abstract Expressionist school and the more truly subversive eruption of the Grotesque which was occurring throughout American popular culture over the same period. The geometric complexity in a piece like Burnin’ (2007) is almost as compelling as the outlaw imagery it encodes. Drawing substantively from the automotive outsiders of Roth Studios (including Roth himself, Robert Williams - whose comic-book advertisements for Rat Fink tee-shirts bear a resemblance in wit and graphic complexity to Reinhart’s How to Look collage strips - and Dave Mann, later of Easyriders fame), Canaday’s painterly hot rods posit a plausible integration of the transcendental geometry and improvisational materiality of the church of Abex with the post-Jungian pop mythology of EC horror comics."

- from my catalog essay 'Motor City Badness: Steve Canaday’s American Graffiti'

published in conjunction with Canaday's shows at Black Dragon Society (closing October 20th) and Baronian-Francey in Brussels (opening in November). The book should be available at Black Dragon any day now. The Black Dragon show only includes one of the car paintings, but they may be still up in the auxillary space, and there'll be a chance to see at least one more before the new year.



Dough on the Go! reader Jacques de Beaufort put in his two cents in an insightful essay on his own blog and documented the openingto boot.

Saturday, October 13, 2007

Now, set the doom machine against the imperial space station itself!




Writing is a lonely calling, so it is especially gratifying when one learns that not one but two of one's blog readers have taken the plunge and rented STARCRASH solely on the basis of one's blog entry recommendation. One such was Steve Roden who may have been stunned into permanent silence, though reliable intelligence says he may be reworking the haunting theme music for his October 23rd gig at the Hammer. The other is Daniel Mendel-Black, who immediately folded the complex STARCRASH cosmology into his own ongoing sci-fi political allegory at his Kulturedrome blog. Let's try and keep this going, people!


Saturday, October 6, 2007

Hot Diggity Smog


We did not allow our automotive woes to interfere with our attendance of Bill Callahan's appearance in the Echoplex grotto last night. Accompanied by fiddle, bass, and percussion, he drew heavily from his most recent album "Woke on a Whale Heart"- the first issued under his real name instead of as "Smog"



The album is awesome and has a great cover by one of the best artists from the Providence scene, Joe Grillo (of the dearraindrop consortium)



I've seen Smog a few times, and while he always had a mesmerizing stage presence, he usually just sat there - but this Bill guy seems to have brought some slinky body consciousness along with him, as he kept busting mutant Elvis moves and breaking out the old softshoe.



The opening act was virtuosic Sun City Girls alum Sir Richard Bishop. I didn't get any good shots of him, though, so here's one more of Mr. Bill.

Friday, October 5, 2007

The Ironing is Delicious


Some one caused some deep wrinklage to our "new" car (the '91 Accord) at 2 AM this morning. According to a coupon left by the police, it was the work of one "Neva Grout." Now, assuming this was not the principal of a Catholic school in British Columbia, my google search turned up this improbable gem. Neva is signator #116. Stay tuned for insurance horror stories.