Thursday, June 30, 2011
ARATALAND! Review in Whitehot Magazine
Shana Nys Dambrot has written an excellent review of the ARATALAND! exhibit for whitehotmagazine.com, based on the idea that Henry Miller dreamed it all early last century. As art theory goes, it's more plausible than most. Thanks Hank. Thanks Shana!
"Innocenceland is the most diverse concentration, with samples from a dozen series laid out in a labyrinth of smaller rooms and corridors radiating off the building’s loading dock. The psychological purgatory of the periods and series collected in this grouping is exacerbated by sense of decentralized wandering that the layout necessitates. There’s a map but it doesn’t really help. You get separated from your group, you find yourself alone, you become anxious, and room after room is full of objects most people don’t care to be left alone with. “In the next room, which is the parlor, all the relatives are assembled. They sit in a semicircle, waiting for me to enter. They sit stiff and rigid, upholstered like the chairs. Instead of warts and wens, there is horsehair sprouting from their chins.” (HM) A small number of sculptures from 1991-93, the Little Virgins feature flickering electric candles and spokes of soiled, black and white saddle shoes, filled with wax and acquired by trading the girls for donuts, one donut per pair. They are old shoes, outgrown -- it’s not like he was waiting outside some Catholic school in a van with a box of them. He asked their parents. But he’s fine playing the role of apocryphal pervert, and the creepy ritualized religious overtones and vague menace triggered by the mere sight of little lost children’s shoes are a major clue that the entire amusement park may have been deadly serious all along. Little Virgin Dress (1993) is a child-size wall sculpture of a white lace churchgoing dress with an under-skirt blossoming of sexy plastic flowers, and doesn’t help his case in that regard. It also rewards viewers for bending slightly to look up a little girl’s dress, making them complicit in the perversion. Nervous laughter and a slight hint of alarm is a common reaction..."
Read the rest of Arataland! at Beacon Arts Building, Los Angeles here.
Posted by DougH at 9:52 AM No comments:
Sunday, June 19, 2011
Sawdust City Premiere
Sawdust City tells the story of a posse of drunken reprobates who get all jiggy with the erotic dancing and the Mr. Bubble up in the Standard Hotel... oh wait, no, that was the after-afterparty. See below.
Sawdust City is actually a brilliant tragicomic holiday road movie from Wisconsin-bred Angeleno writer/director/actor David Nordstrom that premiered last night at the LA Film Festival, and will screen two more times -- Thursday, Jun 23rd 10:00pm at the Downtown Independent, and Friday, Jun 24th 3:50pm at Regal Cinemas L.A. LIVE 10. Click here for tickets and more info. Don't pass up this opportunity to climb on board the Small Form juggernaut!
Further descriptive text TK.
Further descriptive text TK.
Posted by DougH at 7:48 PM No comments:
Saturday, June 11, 2011
Friday, June 10, 2011
New Work by Hector Romero
A selection of remarkable recent works on paper by extraordinary Brooklyn painter/drawer Hector Romero, who may be with us in LA soon. Hector's been mining this rich vein of abstraction melding into cartoonish figurative graphics and back again since we were in grad school at UCLA, and the whole Providence-centered flurry of similar work came and went without anyone picking up on this masterful strain. Now is the time! (PS - I uploaded these images larger than usual because of the amount of detail in them -- click on each one to get a larger view)
Posted by DougH at 1:04 PM 2 comments:
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