"Three hundred years ago, on June 24, 1717, four autonomous lodges of the philosophical/political underground that had inexplicably sprung up within the structure of the medieval architectural stone masons guilds met at the Goose and Gridiron Alehouse in the churchyard of London’s St. Paul's Cathedral, merged into what was to become the Grand Lodge of England, effectively launching the movement of modern Freemasonry. Antics ensued.
One of the most radical aspects of Shaw’s work is that he treats the belief systems and symbolic forms—the ideology and iconography—of capital-A Art with the same political and aesthetic equanimity and skepticism as he would, say, Scientology or the International Monetary Fund, although his scrutiny has most often been drawn to the elaborate cosmologies of fringe religious movements and secret societies like the Masons. Everybody knows that the intrigues of The Art World have more in common with Masonic convolutions than it likes to admit—constantly negotiating accusations of paranoia, defensiveness, and elitism, for example. Plus No Chicks Allowed!
Whatever those “very good thoughts” were, they didn’t quite pan out, as membership in the Lodge—as in fraternal organizations nationwide—rapidly declined over the next several decades. By the early 1990s, the Wilshire temple was being rented out for commercial interests (in violation of its zoning parameters) and, amidst local complaints about parking difficulties and darker allegations, the 110,000-square-foot edifice was shuttered and cordoned off, becoming a notorious real-estate white elephant until the Marcianos came to its rescue..."
Read the rest of Puzzling Evidence: Jim Shaw VS The Illuminati in "Jim Shaw THE WIG MUSEUM" Marciano Art Foundation Project Series Issue no. 1, ISBN 978-0-9992215-0-1