DougH On The Go!

One of the surprises of the Ishi Gathering and Seminar 2007 was meeting Bob Burrill (right), twin brother to Gathering mainspring Richard. A...

It's not on Amazon or the OTIS or LA Louver websites yet, but I can state with near certainty that the beautiful catalog for "Don S...

I keep forgetting that I'm an art critic. But here's a link to my previous piece for the LA Weekly, a round-up of gals at Bergamot ...

I spent the better part of a week with filmmaker Lee Lynch travelling to Oroville CA for the 6th Annual Ishi Gathering and Seminar held ther...

As contemporary philosopher C. Clerc observed in the title of her seminal text "Who Doesn't Like Owls?," who doesn't like...

Okay, TSM3 went swell, thanks to everyone who participated, and don't forget Noel Lawrence of the JX Williams Archive will be delivering...

Still from safety film "Life is For Living" rescued by Found Footage Festival , who will be presenting new material at TSM3 on We...

I just came across this pretty good little documentary about Harry Smith, and since the Harry Smith Anthology Remixed show is still up in a...

Just got back from a week in Gold Country giving multimedia living history presentations to high school kids, among other things. Full repor...

For Cinco de Mayo I managed to finagle a seat on 'Hinterlands Redux,' The Center for Land Use Interpretation's tour of the high ...

Here is a photo of your humble moderator at the podium at the Getty expounding briefly on the links between Alcohol Withdrawal Delerium and ...

Just a friendly reminder of Sunday's afternoon discussion of Tim Hawkinson's work with Margaret Wertheim and Chris Miles at the Gett...

Karen Carson's new body of work conflates such disparate visual domains as fantasy art, Abstract Expression, Western art, and the histor...

Click here for my LA WEEKLY colleague Holly Myers' insightful profile/review of Don Suggs' ' "One Man Group Show"

As promised , here is a photo I took of Tim Hawkinson's Uberorgan in the IBM Sculpture Atrium in Manhattan in 2005. In this first image ...

I forgot to take my camera to the openings last night so no shots of Jack Black ogling the Johanna Went collection at Track 16. Wouldn'...

Speaking of Saturday Ginny Bishton's opening at Richard Telles is also occurring on that night. Above is a revealing glimpse of her new...

If my calculations are correct, today - Friday the 20th - is the last day for seeing A Warning Shouldn't Be Pleasant , High Energy Const...

Tim Hawkinson pursuing his investigations Saturday at the opening of "Don Suggs: One Man Group Show." He is inspecting the Feast P...

Don Suggs: One Man Group Show A survey exhibition spanning 35 years of the work of Los Angeles-based artist Don Suggs co-curated by Doug Har...

Sigmar Polke "Slimming Through Richter" 1965 Ha Ha!

On Friday, while others mourned the loss of their saviour, the hepcats at Il Coral celebrated Halloween with an array of musical acts includ...

Here are a couple of shots from my most recent film shoot -- Cecil B. Shantibugian's "Mimesis" -- in which I play the role of ...

Having been suspended from the ceiling of the Armory Northwest in Pasadena for seven weeks, I finally got around to snapping some shots of ...

Reyna, pursuing her investigations this morning at the top of Elysian Park.

My testy review of Connie Butler's WACK! Art and the Feminist Revolution has been online for a week, but the print version hits the st...

Here's the back side of one of the five sculptural components of my piece "Out/In," created for Jan Tumlir's 'White Al...

AKA Retroactive Breed Parity II. Here is Al Gordon, C.D. as seen through a Pellegrino bottle.

The other opening I made was Brad Eberhard's & Allan Ludwig's thesis shows out at Claremont Graduate University. Brad, in addi...

I actually made it out to a couple of openings. The unveiling of the Getty version of Tim Hawkinson's Uberorgan (and concurrent 'Zoo...